Quick Answer: What Are Qixie Platform Shoes?
Qixie (旗鞋, qíxié) is a name for footwear associated with Manchu Banner dress. The platform shoes in this group have a fabric upper over a raised wooden support, often set toward the middle of the foot. Qing court collections preserve several sole shapes and heights.[1][4][7]
- Flowerpot sole: A flowerpot sole (花盆底, huāpéndǐ) has a raised base likened to a flowerpot. A late Qing court example uses white-coated wood and a satin upper.[2]
- Ingot sole: An ingot sole (元宝底, yuánbǎodǐ) has a different profile. A bamboo-embroidered court example in Beijing is lower overall than the flowerpot shoe described here.[2][3]
- Wearing context: Cataloged everyday and court examples show different heights. Compare the whole shoe and the outfit before assigning an occasion.[4][5]
Use a side view to see the support under the foot and a catalog record to interpret a historic pair.

The most distinctive feature may be hidden below the hem of a robe. A side view shows the platform’s position under the shoe. The shape of that support is usually a better starting point than the embroidery or color of the upper.
Where the Raised Sole Sits
An account of late Qing court shoes describes a raised support positioned around the middle of the sole. The wearer’s foot sits in the fabric upper, while the wooden base lifts that upper above the ground. On many examples there is a visible gap beneath the toe and back of the shoe when it is viewed from the side.[1][7]
In the Qing dynasty, different kinds of footwear were made for different bodies and dress practices. The museum in Parma distinguishes the Manchu raised shoes from shoes made for bound feet. A National Museums NI example is cataloged for bound feet. A small-looking upper can be misleading in a photograph. Check the length, shape and cataloged purpose.[1][6]
How Flowerpot and Ingot Soles Differ
The Palace Museum’s Guangxu-period flowerpot shoe has a pale violet satin upper with embroidered bamboo and butterflies. Its wood support is painted white and decorated with colored elements. The catalog gives a length of 22 cm and an overall height of 18 cm. The 18 cm is the finished height of this shoe. The base itself is only one part of that measurement.[2]
Another Guangxu-period Palace Museum shoe has bamboo embroidery and an ingot sole. The listed height is 10.9 cm. The two catalog records show how much the finished height can vary, even within a late Qing court collection. A comparative study identifies a third raised-sole form in addition to flowerpot and ingot shapes.[3][4]
Look at where the base meets the floor and how its outline changes from top to bottom. Height alone leaves out the shape, which is what the names describe.
What the Shoes Reveal About an Outfit
A Southwark collection example from around the turn of the twentieth century has yellow embroidered satin and a wooden heel. The catalog identifies it with everyday wear by a high-status Manchu woman and contrasts it with taller platforms used on formal or public occasions. Use this as a comparison for the named shoe and its cataloged context.[5]
For a full-length late Qing portrait, examine the shoe alongside the robe and hair arrangement. The Palace Museum’s study of Cixi’s photographs discusses high shoes and headdresses as parts of the outfit. The liangbatou guide and dianzi guide explain two distinct ways to interpret the headwear. Compare Qing robe categories when the picture also shows multiple clothing layers.[4]
How to Choose a Modern Pair
Check the space inside the upper and the height of the wooden or modern support separately. Ask for a full side view to see where the platform meets the floor and where it attaches to the upper. When trying the shoes, check that the upper holds your foot securely and that you can stand and take short steps comfortably on a level surface.
Try the pair with the intended outfit before deciding on the hem length. A taller sole changes the distance between the fabric and the floor. If you are making a period interpretation, name the source shoe, the platform type and any change in height or material.
FAQs About Qixie Manchu Platform Shoes
Were Manchu platform shoes made for bound feet?
Museum collections distinguish Manchu platform shoes from the different footwear made for bound feet. Look at the structure and catalog history of the pair you are identifying.[1][6]
Are all qixie flowerpot-soled?
Qing collections include flowerpot and ingot sole forms as well as other raised-sole profiles. The particular base determines the description.[2][4]
Is the cataloged height the same as the platform height?
A catalog height can describe the entire shoe. Check the measurement label or request a separate platform measurement when comparing a reproduction.[2][3]
Sources
[1] Museum of Chinese Art and Ethnography, Parma. Female Footwear
[2] Palace Museum, Beijing. Pale Violet Satin Flowerpot-Sole Shoes
[3] Palace Museum, Beijing. Pale Satin Ingot-Sole Shoes With Bamboo Embroidery
[4] Palace Museum Journal. Reading the Photographs of Empress Dowager Cixi
[5] Southwark Heritage. Manchu Court Shoe, C02297
[6] National Museums NI. Shoe for Bound Feet, BELUM.C5037
[7] Yu Shanpu, Palace Museum. Cixi’s Liangbatou and Platform Shoes