Quick Answer: What Did Song Women Wear?
Song women wore combinations of upper and lower garments. Some surviving Southern Song outer garments have straight fronts, openings at the sides and the cut often called beizi (褙子, bèizǐ). Examples preserve different ways of finishing or closing the front.[2][3]
- Outer layer: A gauze garment from Huang Sheng’s tomb has side openings and no surviving front ties or button loops.[1]
- Another closure: A later gauze garment from De’an has a button made from textile.[2]
- Lower garments: A pleated skirt with phoenix and peony ornament survives from Huang Sheng’s burial.[4]
Compare the dated garment and its setting before treating any single example as a general rule.

Look at the two edges of a Song outer garment and the clothes visible between them. Then follow the sleeves and side openings. Two surviving gauze garments show why similar front lines can conceal different lengths and fastenings.
Compare Two Straight-Front Gauze Layers
The China National Silk Museum describes an unlined garment from Huang Sheng’s tomb in Fuzhou. Its fronts face each other, the sides have long openings and the edge has printed and painted ornament. The museum identifies the fabric as luo (罗, luó), a gauze with interlacing warp threads. The gauze guide explains why the textile structure matters when reading a sheer garment.[1][3]
The museum also preserves a gauze garment from a 1274 burial at De’an in Jiangxi. It reaches below the knee, has narrow sleeves and long side openings, and preserves a textile button at the center front. The museum discusses its possible identification as a beizi. It shares several features with the Fuzhou piece while preserving its own length and fastening.[2]
If you are comparing two photos, look at the side and inside views as well as the neckline. Trace both edges below the collar to see whether they open and where a facing ends. A fastening is easiest to identify in a close view where it joins the cloth.
Read the Skirt and Layers Beneath
A study of one Huang Sheng skirt describes a pleated gauze garment with paired phoenixes and peonies. The phoenix and peony pattern tells you about the textile. The pleats tell you about the shape. The same burial contains multiple layers of upper and lower garments, including skirts and trousers. Those layers show what survived together in a funerary setting.[1][4]
The ruqun (襦裙, rúqún) comparison helps explain how an upper garment and separate skirt can sit under an outer layer. When a waist band is visible, qiyao ruqun gives a modern description of that position. A burial catalog gives the dated names and measurements for the actual objects.
What Paintings and Burials Show
A Song dynasty album leaf in the Palace Museum shows women viewing the moon during the Mid-Autumn Festival. A painting can place an outfit in a scene and show visible proportions. Look to the surviving garments for seams and fastenings that the painter has left out.[5]
The silk museum dates Huang Sheng’s burial to 1243 and describes her family connections. The fine textiles preserve unusually detailed information about a particular elite wardrobe. Keep the date and wearer attached to each example when comparing Tang women’s clothing or later Ming women’s clothing alongside Song examples.[3]
How to Build a Song-Inspired Outfit
Choose which surviving garment or scene will guide the outer layer. For a straight front, check where the two edges fall against the top and skirt beneath. If the reference has a button, examine its position. If the original edges are open, a modern fastening can be recorded as an adaptation.
Try the outfit while sitting and raising your arms. Check whether the side openings clear the skirt and whether the edge of the lower garment stays where you want it. The hanfu dressing guide covers general layering. A later pifeng (披风, pīfēng) offers another straight-front comparison with its own documented sleeve and decoration choices.[6]
FAQs About Song Dynasty Women’s Clothing
Did all Song beizi close with a button?
One surviving De’an garment has a textile button. The Fuzhou gauze garment preserves no ties or button loops on the front. Check the individual catalog before choosing a fastening for a reconstruction.[1][2]
Was Song women’s clothing always plain?
Surviving pieces include printed and painted borders and patterned skirts. Huang Sheng’s skirt with phoenixes and peonies is one documented example.[3][4]
Can a tomb outfit be worn as an everyday template?
A burial preserves a specific group of garments and layers. To infer an everyday combination, also compare dated images and records for the intended setting.[1][5]
Sources
[1] China National Silk Museum. A Printed and Painted Gauze Garment From the Huang Sheng Tomb
[2] China National Silk Museum. Plain Gauze Upper Garment, Collection 1761
[3] China National Silk Museum. A Fashionable Southern Song Upper Garment
[4] Xie Boer and Fu Qisheng, Journal of Donghua University. Pleated Skirt From the Huang Sheng Tomb
[5] Palace Museum, Beijing. Walking Under the Moon on a Terrace
[6] Liu Wenyu and colleagues, Design Research. Reconstructing Ming and Qing Straight-Collared Pifeng