{"id":6498,"date":"2026-11-04T10:27:13","date_gmt":"2026-11-04T10:27:13","guid":{"rendered":"https:\/\/www.chinaculturepro.com\/?p=6498"},"modified":"2026-11-04T10:27:14","modified_gmt":"2026-11-04T10:27:14","slug":"%d1%85%d1%8d-%d1%81%d1%8f%d0%bd%d1%8c%d0%b3%d1%83","status":"publish","type":"post","link":"https:\/\/www.chinaculturepro.com\/ru\/he-xiangu\/","title":{"rendered":"\u0425\u044d \u0421\u044f\u043d\u044c\u0433\u0443: \u0431\u0435\u0441\u0441\u043c\u0435\u0440\u0442\u043d\u0430\u044f, \u043e\u0431\u0440\u0430\u0437\u044b \u043b\u043e\u0442\u043e\u0441\u0430 \u0438 \u043b\u0435\u0433\u0435\u043d\u0434\u044b"},"content":{"rendered":"\n<section class=\"tcjdi-quick-answer\"><h2>Quick Answer: Who Is He Xiangu?<\/h2>\n<p class=\"p1\">He Xiangu\uff08\u4f55\u4ed9\u59d1\uff0cH\u00e9 Xi\u0101ng\u016b\uff09, often translated as Immortal Woman He or Immortal Maiden He, is the familiar female figure among the Eight Immortals. The wider title xiangu\uff08\u4ed9\u59d1\uff0cxi\u0101ng\u016b\uff09means an immortal woman. She appears in Daoist and popular religious imagery, commonly with a lotus, and also receives devotion in local temples. <sup>[1]<\/sup> <\/p>\n<ul>\n<li><strong>Group identity:<\/strong> Her place in the familiar eight-person roster developed within changing literary traditions. <sup>[2]<\/sup> <\/li>\n<li><strong>Legends:<\/strong> Guangdong and Hunan have important but different narratives about her origins. <sup>[1]<\/sup> <\/li>\n<li><strong>Images:<\/strong> A lotus is recognizable, but a fungus appears in a documented Japanese painting. <sup>[3][4]<\/sup> <\/li>\n<li><strong>Local worship:<\/strong> Some communities honor her individually as a deity and ancestral aunt. <sup>[5]<\/sup> <\/li>\n<\/ul>\n<p class=\"p1\">Neither a single accessory nor a local origin claim establishes one complete historical biography. Her artistic identity and the history of devotion are clearer than many details of the life told in legend.<\/p><\/section>\n<figure class=\"tcjdi-infographic\" style=\"width:500px;max-width:100%;margin:24px auto;text-align:center\"><img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/www.chinaculturepro.com\/wp-content\/uploads\/2026\/10\/He-Xiangu-guide-to-regional-legends-art-attributes-local-worship-and-festivals.webp\" alt=\"He Xiangu guide to regional legends art attributes local worship and festivals\" title=\"He Xiangu guide to regional legends art attributes local worship and festivals\" width=\"1440\" height=\"2560\" style=\"width:500px;max-width:100%;height:auto;margin:0 auto\" \/><figcaption>Identify the figure through the whole artwork, then distinguish regional stories from community traditions.<\/figcaption><\/figure>\n<p class=\"p1\">A lotus-bearing woman in an Eight Immortals scene may be He Xiangu. Yet a separate temple image, a family\u2019s ancestral account and a painted gathering of immortals can emphasize different parts of her identity. Reading them together reveals more than one fixed portrait.<\/p>\n<h2>He Xiangu\u2019s Name and Place among the Eight Immortals<\/h2>\n<p class=\"p1\">He is the surname; xianguis a wider honorific for an immortal woman or female religious figure. It does not identify this particular immortal by itself. <sup>[5]<\/sup> <\/p>\n<p class=\"p1\">In the established <a href=\"https:\/\/www.chinaculturepro.com\/eight-immortals\/\">Eight Immortals<\/a> group, He Xiangu has a recognizable individual identity. That familiar roster should not be projected unchanged into every earlier use of the phrase \u201ceight immortals.\u201d Earlier plays and stories could include different members. <sup>[1][2]<\/sup> <\/p>\n<p class=\"p1\">Her presence as a consistently female figure became especially distinctive in the group\u2019s art and stories. This is a convention of representation. A depicted age or appearance does not verify the physical features of a historical woman. <sup>[6]<\/sup> <\/p>\n<h2>Regional Legends and the Question of a Historical Life<\/h2>\n<p class=\"p1\">Zengcheng in Guangdong and Yongzhou in Hunan are two important locations associated with He Xiangu narratives. Their different regional traditions should be examined separately before assuming one historical identity. <sup>[1]<\/sup> <\/p>\n<p class=\"p1\">Accounts of the Guangdong immortal describe withdrawal from marriage, spiritual encounters and disappearance or ascent. Some versions connect her with the mountains around the region; others foreground filial care or the intervention of another immortal. These episodes change as stories move through local records, drama and popular retelling. <sup>[2]<\/sup> <\/p>\n<p class=\"p1\">L\u00fc Dongbin\uff08\u5415\u6d1e\u5bbe\uff0cL\u01da D\u00f2ngb\u012bn\uff09appears alongside her in some stories and works of art. A porcelain dish depicts the two together, identifying him through a sword and fly whisk and her through a lotus. Shared representation demonstrates an artistic association; it should not be turned into evidence of a documented encounter. <sup>[6]<\/sup> <\/p>\n<p class=\"p1\">The separate <a href=\"https:\/\/www.chinaculturepro.com\/lu-dongbin\/\">L\u00fc Dongbin<\/a> tradition has its own narrative layers. Her pairing with him belongs to particular artistic and narrative settings, rather than every version of her attainment.<\/p>\n<h2>Lotus, Fungus and Other Clues in Art<\/h2>\n<p class=\"p1\">A lotus flower or leaf is a common identifying attribute. It is especially useful when the figure appears with the other immortals and their recognizable implements. A small Shiwan stoneware sculpture from the early twentieth century presents her as a seated woman holding a lotus. <sup>[1][4]<\/sup> <\/p>\n<p class=\"p1\">Variation is equally important. In a seventeenth-century Japanese diptych, she holds a magical fungus while immortals welcome a longevity deity. Other members also have attributes different from familiar modern charts. The painter\u2019s complete arrangement matters more than a rule that each immortal always holds one object. <sup>[3]<\/sup> <\/p>\n<div style=\"overflow-x:auto;max-width:100%;max-height:800px\">\n<table>\n<thead>\n<tr><th>Documented work<\/th><th>What the image establishes<\/th><\/tr>\n<\/thead>\n<tbody>\n<tr><td>Seated Shiwan stoneware figure<\/td><td>A Chinese sculptural version with a lotus; pose and medium differ from a narrative painting. <sup>[4]<\/sup> <\/td><\/tr>\n<tr><td>Japanese Eight Immortals diptych<\/td><td>He Xiangu carries a fungus in this seventeenth-century interpretation. <sup>[3]<\/sup> <\/td><\/tr>\n<tr><td>Dish with L\u00fc Dongbin and He Xiangu<\/td><td>The paired immortals are differentiated through their individual attributes, including her lotus. <sup>[6]<\/sup> <\/td><\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<h2>Local Worship, Women\u2019s Religious Lives and Ancestral Aunts<\/h2>\n<p class=\"p1\">In the Pearl River Delta, He Xiangu\u2019s cult intersects with zugu\uff08\u7956\u59d1\uff0cz\u01d4g\u016b\uff09, ancestral-aunt traditions. Some He-surname communities honor her as a divine ancestral relative. This is a devotional relationship, not an independently proven genealogy. <sup>[5]<\/sup> <\/p>\n<p class=\"p1\">Her refusal-of-marriage stories make that recognition significant: they show a woman outside the expected marriage pattern receiving authority within a lineage-centered society. The regional case connects religious storytelling with family expectations. <sup>[5]<\/sup> <\/p>\n<p class=\"p1\">That interpretation belongs to a particular historical and community setting. It should not become a claim that all unmarried women in China were worshipped, or that every He Xiangu temple gives her exactly the same ancestral role. Local kinship, divine identity and the wider immortal tradition can overlap in different ways.<\/p>\n<h2>Temple Festivals and the Immortal in Wider Visual Culture<\/h2>\n<p class=\"p1\">Recorded Zengcheng celebrations distinguish a birthday observance on the seventh day of the third lunar month and an attainment celebration on the eighth day of the eighth lunar month. These are local religious dates, not a verified birth record or a universal calendar for every community. <sup>[2][5]<\/sup> <\/p>\n<p class=\"p1\">Xiaolou\u2019s family temple provides a separate architectural record. Its local history describes a Ming foundation and rebuilding in 1858. Those dates concern the building and its renewal; they do not verify a Tang-period lifetime for the immortal. The place sustains a local devotional identity alongside the familiar group image. <sup>[7]<\/sup> <\/p>\n<p class=\"p1\">The Japanese diptych illustrates that wider movement: its Chinese immortal figures participate in a composition made in Japan, with a local artistic interpretation of a longevity theme. An image can transmit a recognizable figure while adapting the group\u2019s arrangement and accessories. <sup>[3]<\/sup> <\/p>\n<p class=\"p1\">Understanding <a href=\"https:\/\/www.chinaculturepro.com\/religion-in-china\/\">religion in China<\/a> therefore requires attention to the object or community in front of you. A lotus-bearing statue, a local ancestral account and an Eight Immortals painting answer related but different questions about He Xiangu.<\/p>\n<h2>FAQs About He Xiangu<\/h2>\n<h3>Was He Xiangu a Historical Person?<\/h3>\n<p class=\"p1\">Several regional narratives and female religious figures contributed to the tradition. The sources do not establish one complete, uncontested biography of the immortal familiar from later art. <sup>[1][2]<\/sup> <\/p>\n<h3>Does He Xiangu Always Carry a Lotus?<\/h3>\n<p class=\"p1\">No. A lotus is common, but a seventeenth-century Japanese painting gives her a fungus. Use the full composition and any identification supplied with the object. <sup>[3][4]<\/sup> <\/p>\n<h3>Is Every Female Immortal Called He Xiangu?<\/h3>\n<p class=\"p1\">No. Xiangu is a wider honorific for an immortal woman or female religious figure. He Xiangu is a particular identity within that broader vocabulary. <sup>[5]<\/sup> <\/p>\n<h3>Is He Xiangu Worshipped Independently of the Eight Immortals?<\/h3>\n<p class=\"p1\">Yes. Temples devoted to her sustain an individual cult alongside the familiar eight-person group. A local temple\u2019s history can document worship without verifying every origin legend. <sup>[7]<\/sup> <\/p>\n<h2>Sources<\/h2>\n<p class=\"p1\">[1] Academy of Chinese Studies. <a href=\"https:\/\/chiculture.org.hk\/en\/china-five-thousand-years\/2867\" target=\"_blank\" rel=\"noopener noreferrer\">Eight Immortals: He Xiangu and regional legends<\/a><\/p>\n<p class=\"p1\">[2] Guangdong Literature and History Research Institute. <a href=\"https:\/\/www.gdwsw.gov.cn\/wsbl\/content\/post_31602.html\" target=\"_blank\" rel=\"noopener noreferrer\">The folklore significance of He Xiangu legends, 2023<\/a><\/p>\n<p class=\"p1\">[3] The Metropolitan Museum of Art. <a href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/45689\" target=\"_blank\" rel=\"noopener noreferrer\">Eight Daoist Immortals Welcoming Jur\u014djin, Japan, seventeenth century, 14.76.52<\/a><\/p>\n<p class=\"p1\">[4] Birmingham Museum of Art. <a href=\"https:\/\/www.artsbma.org\/collection\/seated-lady-holding-a-lotus-he-xiangu-one-of-the-eight-immortals\/\" target=\"_blank\" rel=\"noopener noreferrer\">Seated Lady Holding a Lotus: He Xiangu, Shiwan ware, 2010.28<\/a><\/p>\n<p class=\"p1\">[5] Academia Sinica, Research Highlights. <a href=\"https:\/\/research.sinica.edu.tw\/female-worship\/\" target=\"_blank\" rel=\"noopener noreferrer\">Liao Hsiao-ching\u2019s research on He Xiangu and ancestral-aunt worship<\/a><\/p>\n<p class=\"p1\">[6] British Museum. <a href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1945-1016-27\" target=\"_blank\" rel=\"noopener noreferrer\">Dish with L\u00fc Dongbin and He Xiangu, 1945,1016.27<\/a><\/p>\n<p class=\"p1\">[7] Zengcheng District People\u2019s Government. <a href=\"https:\/\/www.zc.gov.cn\/gl\/cylx\/yzzc\/content\/post_8339259.html\" target=\"_blank\" rel=\"noopener noreferrer\">He Xiangu temple precinct and Xiaolou family temple: building history, 2022<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u0423\u0437\u043d\u0430\u0439\u0442\u0435 \u043e \u0425\u044d \u0421\u044f\u043d\u044c\u0433\u0443: \u043e \u0440\u0435\u0433\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u044b\u0445 \u043b\u0435\u0433\u0435\u043d\u0434\u0430\u0445, \u043b\u043e\u0442\u043e\u0441\u0435 \u0438 \u0433\u0440\u0438\u0431\u0435 \u043a\u0430\u043a \u0435\u0451 \u0430\u0442\u0440\u0438\u0431\u0443\u0442\u0430\u0445, \u0412\u043e\u0441\u044c\u043c\u0438 \u0431\u0435\u0441\u0441\u043c\u0435\u0440\u0442\u043d\u044b\u0445, \u043c\u0435\u0441\u0442\u043d\u044b\u0445 \u0445\u0440\u0430\u043c\u043e\u0432\u044b\u0445 \u043f\u0440\u0430\u0437\u0434\u043d\u0438\u043a\u0430\u0445 \u0438 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u044f\u0445 \u043a\u0443\u043b\u044c\u0442\u0430 \u0436\u0435\u043d\u0449\u0438\u043d-\u043f\u0440\u0435\u0434\u043a\u043e\u0432.<\/p>","protected":false},"author":1,"featured_media":6499,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[361],"tags":[364,350,371],"class_list":["post-6498","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-religion-beliefs","tag-chinese-deities","tag-folk-religion","tag-hub-chinese-gods-and-goddesses"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO Pro 5.0.3 - aioseo.com -->\n\t<meta name=\"description\" content=\"Discover He Xiangu through regional legends, lotus and fungus attributes, the Eight Immortals, local temple festivals and research on ancestral-aunt worship.\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"Anthony\"\/>\n\t<meta name=\"yandex-verification\" content=\"a48113a626715129\" \/>\n\t<link 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