{"id":13948,"date":"2026-11-09T01:41:36","date_gmt":"2026-11-09T01:41:36","guid":{"rendered":"https:\/\/www.chinaculturepro.com\/?p=13948"},"modified":"2026-11-09T01:41:36","modified_gmt":"2026-11-09T01:41:36","slug":"wei-yingwu","status":"publish","type":"post","link":"https:\/\/www.chinaculturepro.com\/ru\/wei-yingwu\/","title":{"rendered":"Wei Yingwu: Major Poems, Themes and a Reading Guide"},"content":{"rendered":"\n<section class=\"tcjdi-quick-answer\"><h2>Quick Answer: Where Should You Start with Wei Yingwu?<\/h2>\n<p class=\"p1\">Wei Yingwu (\u97e6\u5e94\u7269, W\u00e9i Y\u00ecng W\u00f9) was an eighth-century Tang poet associated with direct, dignified language and scenes of natural life. His poems also address friends, family and public responsibilities. Begin with a short landscape poem, then read what changes when a particular person is being addressed.<\/p>\n<ul>\n<li><strong>For a first landscape:<\/strong> Try the four-line poem about Chuzhou\u2019s western stream.<\/li>\n<li><strong>For friendship:<\/strong> Compare an autumn-night message with the thought of visiting a mountain friend.<\/li>\n<li><strong>For family feeling:<\/strong> Read the father\u2019s farewell to a daughter leaving to marry.<\/li>\n<\/ul>\n<p class=\"p1\">Quiet feeling takes several forms here. Notice both what is moving in a scene and who is present, absent or imagined.<\/p><\/section>\n<figure class=\"tcjdi-infographic\" style=\"width:500px;max-width:100%;margin:24px auto;text-align:center\"><img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/www.chinaculturepro.com\/wp-content\/uploads\/2026\/11\/Wei-Yingwu-reading-guide-to-landscape-absent-friends-family-and-translation.webp\" alt=\"Wei Yingwu reading guide to landscape absent friends family and translation\" title=\"Wei Yingwu reading guide to landscape absent friends family and translation\" width=\"1440\" height=\"2560\" style=\"width:500px;max-width:100%;height:auto;margin:0 auto\" \/><figcaption>Original literary landscape, not a historical portrait, a specific ferry crossing or a reconstructed residence.<\/figcaption><\/figure>\n<p class=\"p1\">A boat at a deserted crossing can be memorable enough to become an author\u2019s calling card. Wei Yingwu\u2019s poetry, however, also contains an absent friend imagined awake, a visit that remains uncertain and a father returning to a changed household.<\/p>\n<h2>Locate the Poet and Choose Four Works<\/h2>\n<p class=\"p1\">A native of Chang\u2019an, Wei served as an imperial guard in his youth and later held official posts. The Chinese University of Hong Kong\u2019s author profile connects his natural scenes with earlier poets, including <a href=\"https:\/\/www.chinaculturepro.com\/tao-yuanming\/\">Tao Yuanming<\/a>, while also noting poetry concerned with social disruption after the An Lushan rebellion. <sup>[1]<\/sup> <\/p>\n<p class=\"p1\">That range matters: the quiet observer and the public official belong to one literary career. Read him within <a href=\"https:\/\/www.chinaculturepro.com\/tang-poetry\/\">Tang poetry<\/a> through several situations: service, friendship, household relationships and observation.<\/p>\n<div style=\"overflow-x:auto;max-width:100%;max-height:800px\">\n<table>\n<thead>\n<tr><th>Work<\/th><th>A useful reading focus<\/th><\/tr>\n<\/thead>\n<tbody>\n<tr><td>West Stream at Chuzhou (\u6ec1\u5dde\u897f\u6da7, Ch\u00fa Zh\u014du X\u012b Ji\u00e0n)<\/td><td>Grass, birds and a rain-swollen current lead to a boat at a deserted crossing. <sup>[3]<\/sup> <\/td><\/tr>\n<tr><td>An Autumn Night Message to Qiu (\u79cb\u591c\u5bc4\u4e18\u5458\u5916, Qi\u016b Y\u00e8 J\u00ec Qi\u016b Yu\u00e1n W\u00e0i)<\/td><td>A nighttime walk turns toward a friend imagined elsewhere. <sup>[4]<\/sup> <\/td><\/tr>\n<tr><td>To a Daoist in the Mountains of Quanjiao (\u5bc4\u5168\u6912\u5c71\u4e2d\u9053\u58eb, J\u00ec Qu\u00e1n Ji\u0101o Sh\u0101n Zh\u014dng D\u00e0o Sh\u00ec)<\/td><td>Concern for a mountain friend develops into the wish to bring wine. <sup>[5]<\/sup> <\/td><\/tr>\n<tr><td>Sending My Daughter to the Yang Family (\u9001\u6768\u6c0f\u5973, S\u00f2ng Y\u00e1ng Sh\u00ec N\u01da)<\/td><td>A father\u2019s counsel and grief accompany a marriage departure. <sup>[6]<\/sup> <\/td><\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<p class=\"p1\">The first two are short quatrains; the others give the feeling more room to unfold. Choose one, identify its situation, and follow the way its ending redirects attention.<\/p>\n<h2>Notice Movement in the Western Stream<\/h2>\n<p class=\"p1\">West Stream at Chuzhou begins with the speaker\u2019s affection for grasses beside a ravine, then brings in birdsong from deep among trees. The second half changes the pace: evening rain swells the current, and the poem closes on a boat lying crosswise at a deserted crossing. <sup>[3]<\/sup> <\/p>\n<p class=\"p1\">Read the stillness alongside the motion. Grass and birds establish an intimate scale; water moving more urgently changes the surrounding energy. The boat\u2019s position becomes striking against that current. <sup>[3]<\/sup> <\/p>\n<p class=\"p1\">The Chinese closing line does not explicitly introduce a person operating the boat. Let that absence remain part of your first reading before deciding on a symbolic interpretation. The scene\u2019s effect can be explored through its visible actions and omissions. <sup>[3]<\/sup> <\/p>\n<p class=\"p1\">For comparison, the <a href=\"https:\/\/www.chinaculturepro.com\/chinese-nature-poetry\/\">guide to Chinese nature poetry<\/a> offers other ways that landscape, season and human attention work together. Here, avoid treating \u201cquiet\u201d as a synonym for motionless: the current is part of the poem\u2019s force.<\/p>\n<h2>Keep People in the Quiet Scenes<\/h2>\n<p class=\"p1\">An Autumn Night Message to Qiu opens with the speaker thinking of his friend during an autumn night. Walking and recitation give way to an imagined mountain scene, where pine seeds fall and the friend may still be awake. The closing thought crosses a distance the speaker has not physically traveled. <sup>[4]<\/sup> <\/p>\n<p class=\"p1\">Read the last line as a supposition about another person. It creates a sense of companionship through the possibility of shared wakefulness. The silence of the imagined setting can therefore hold a relationship, rather than simply a wish to escape people. <sup>[4]<\/sup> <\/p>\n<p class=\"p1\">To a Daoist in the Mountains of Quanjiao begins in a cold official residence. The speaker thinks of the mountain dweller and wishes to carry wine to comfort him on a stormy evening. Yet fallen leaves fill the mountains, and the ending asks where his traces can be found. The poem ends with the wish to find him, rather than an account of their meeting. <sup>[5]<\/sup> <\/p>\n<p class=\"p1\">Follow the difference between an intention and its fulfillment. A warm impulse toward friendship meets uncertainty about how to reach the person. Set that ending beside the autumn-night poem: both direct attention toward someone absent, but each gives the connection a different shape. <sup>[5]<\/sup> <\/p>\n<p class=\"p1\">Sending My Daughter to the Yang Family moves into a household. The father recalls the loss of the children\u2019s mother, the elder daughter\u2019s care for the younger and the pain of their separation. Advice about marriage duties belongs to the poem\u2019s historical social world; the ending returns him to the younger daughter and tears. <sup>[6]<\/sup> <\/p>\n<p class=\"p1\">Read the counsel together with the grief. Concern for the daughter\u2019s future does not settle the father\u2019s feeling of loss. The <a href=\"https:\/\/www.chinaculturepro.com\/chinese-marriage-history\/\">history of Chinese marriage<\/a> offers broader context for family expectations, while the poem remains a particular father\u2019s address. <sup>[6]<\/sup> <\/p>\n<p class=\"p1\">These are three forms of attachment: imagining a friend awake, wishing to visit and trying to let a daughter go. The <a href=\"https:\/\/www.chinaculturepro.com\/chinese-friendship-farewell-poems\/\">friendship and farewell poetry guide<\/a> provides further comparisons of address and absence.<\/p>\n<h2>Read Wei Yingwu in a Bilingual Selection<\/h2>\n<p class=\"p1\">In Such Hard Times: The Poetry of Wei Ying-wu, translated by Bill Porter under the name Red Pine, offers an English route into the poet\u2019s work. Copper Canyon Press identifies the translator and publishes the selection. <sup>[2]<\/sup> The Academy of American Poets notes its facing Chinese texts and explanatory notes. <sup>[7]<\/sup> <\/p>\n<p class=\"p1\">Use the notes to separate a poem\u2019s stated scene from biographical context and later interpretation. Compare how an English version handles a subject left unstated in Chinese, or the uncertainty of a friend\u2019s being awake.<\/p>\n<p class=\"p1\">Wei Yingwu and Wei Ying-wu are spellings of the same author\u2019s name. Keep the Chinese poem title alongside a translation\u2019s English heading when tracking a particular work. The <a href=\"https:\/\/www.chinaculturepro.com\/chinese-classic-books\/\">guide to Chinese classic books and translations<\/a> gives further questions for comparing editions.<\/p>\n<h2>FAQs About Wei Yingwu<\/h2>\n<h3>Which Wei Yingwu poem should I read first?<\/h3>\n<p class=\"p1\">Begin with West Stream at Chuzhou. Its four lines offer a compact example of landscape organized through attention, sound and movement.<\/p>\n<h3>Was Wei Yingwu only a poet of seclusion?<\/h3>\n<p class=\"p1\">No. He held official posts and wrote about social conditions, friends and family as well as natural scenes and solitude.<\/p>\n<h3>Is there a bilingual English selection of Wei Yingwu?<\/h3>\n<p class=\"p1\">Yes. In Such Hard Times, translated by Bill Porter, also known as Red Pine, presents poems with Chinese texts and explanatory notes.<\/p>\n<h2>Sources<\/h2>\n<p class=\"p1\">[1] Chinese University of Hong Kong, Renditions. <a href=\"https:\/\/www.cuhk.edu.hk\/rct\/renditions\/authors\/weiyw.html\" target=\"_blank\" rel=\"noopener noreferrer\">Wei Yingwu<\/a><\/p>\n<p class=\"p1\">[2] Copper Canyon Press. <a href=\"https:\/\/www.coppercanyonpress.org\/books\/in-such-hard-times-by-wei-ying-wu-tr-bill-porter-red-pine\/\" target=\"_blank\" rel=\"noopener noreferrer\">In Such Hard Times: The Poetry of Wei Ying-wu<\/a><\/p>\n<p class=\"p1\">[3] Wei Yingwu, via Wikisource. <a href=\"https:\/\/zh.wikisource.org\/wiki\/\u6ec1\u5dde\u897f\u6f97\" target=\"_blank\" rel=\"noopener noreferrer\">West Stream at Chuzhou<\/a><\/p>\n<p class=\"p1\">[4] Wei Yingwu, via Wikisource. <a href=\"https:\/\/zh.wikisource.org\/wiki\/\u79cb\u591c\u5bc4\u4e18\u54e1\u5916\" target=\"_blank\" rel=\"noopener noreferrer\">An Autumn Night Message to Qiu<\/a><\/p>\n<p class=\"p1\">[5] Wei Yingwu, via Wikisource. <a href=\"https:\/\/zh.wikisource.org\/wiki\/\u5bc4\u5168\u6912\u5c71\u4e2d\u9053\u58eb\" target=\"_blank\" rel=\"noopener noreferrer\">To a Daoist in the Mountains of Quanjiao<\/a><\/p>\n<p class=\"p1\">[6] Wei Yingwu, via Wikisource. <a href=\"https:\/\/zh.wikisource.org\/wiki\/\u9001\u694a\u6c0f\u5973\" target=\"_blank\" rel=\"noopener noreferrer\">Sending My Daughter to the Yang Family<\/a><\/p>\n<p class=\"p1\">[7] Academy of American Poets. <a href=\"https:\/\/poets.org\/book\/such-hard-times-poetry-wei-ying-wu\" target=\"_blank\" rel=\"noopener noreferrer\">In Such Hard Times: The Poetry of Wei Ying-wu<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Explore Wei Yingwu\u2019s poems, from West Stream at Chuzhou to poems for friends and family, with guidance on landscape, quiet feeling and English 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