{"id":13156,"date":"2026-11-09T01:39:08","date_gmt":"2026-11-09T01:39:08","guid":{"rendered":"https:\/\/www.chinaculturepro.com\/?p=13156"},"modified":"2026-11-09T01:39:08","modified_gmt":"2026-11-09T01:39:08","slug":"nalan-xingde","status":"publish","type":"post","link":"https:\/\/www.chinaculturepro.com\/ru\/nalan-xingde\/","title":{"rendered":"Nalan Xingde: Major Lyrics, Memory and a Reading Guide"},"content":{"rendered":"\n<section class=\"tcjdi-quick-answer\"><h2>Quick Answer: Who Was Nalan Xingde?<\/h2>\n<p class=\"p1\">Nalan Xingde (\u7eb3\u5170\u6027\u5fb7, N\u00e0l\u00e1n X\u00ecngd\u00e9; 1655\u20131685) was a Manchu writer of the Qing dynasty, especially known for song lyrics (\u8bcd, c\u00ed). His work connects courtly travel, attachment and remembrance, but a lyric speaker should not automatically be equated with the author.<sup>[1]<\/sup> <\/p>\n<ul>\n<li><strong>Start with a complete lyric:<\/strong> follow its change of scene or time rather than stopping at a famous opening.<\/li>\n<li><strong>Keep identifying details:<\/strong> record the tune title and first line together.<\/li>\n<li><strong>Choose a verified translation:<\/strong> check the translator, collection and page range.<\/li>\n<\/ul>\n<p class=\"p1\">This guide introduces representative lyrics and ways to read them without inventing a private story behind every voice.<\/p><\/section>\n<figure class=\"tcjdi-infographic\" style=\"width:500px;max-width:100%;margin:24px auto;text-align:center\"><img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/www.chinaculturepro.com\/wp-content\/uploads\/2026\/11\/Nalan-Xingde-lyric-guide-to-opening-voice-memory-and-English-translations.webp\" alt=\"Nalan Xingde lyric guide to opening voice memory and English translations\" title=\"Nalan Xingde lyric guide to opening voice memory and English translations\" width=\"1440\" height=\"2560\" style=\"width:500px;max-width:100%;height:auto;margin:0 auto\" \/><figcaption>Follow Nalan Xingde\u2019s complete lyrics, identify their openings and compare the speaker with carefully located English translations.<\/figcaption><\/figure>\n<p class=\"p1\">An isolated line can sound like a universal statement about love. A complete poem may complicate it with an imagined speaker, inherited language or a movement into memory. The reading task is to notice those changes before turning a lyric into a quotation for every occasion.<\/p>\n<h2>Court Service, Literary Life and Collections<\/h2>\n<p class=\"p1\">Known also by the courtesy name Rongruo (\u5bb9\u82e5, R\u00f3ngru\u00f2), Nalan belonged to the cultural world of the <a href=\"https:\/\/www.chinaculturepro.com\/qing-dynasty\/\">Qing dynasty<\/a>. The Palace Museum gives his Gregorian birth year as 1655.<sup>[2]<\/sup> <\/p>\n<p class=\"p1\">CUHK records his elite family background, examination success and service in the imperial bodyguard, which took him on distant journeys. It also emphasizes scholarly interests and literary gatherings. His poetry and prose appear in Collected Writings of Tongzhi Hall (\u901a\u5fd7\u5802\u96c6, T\u014dngzh\u00ect\u00e1ng J\u00ed).<sup>[1]<\/sup> <\/p>\n<p class=\"p1\">The last lyric below is included in Drinking-Water Lyrics (\u996e\u6c34\u8bcd, Y\u01d0nshu\u01d0 C\u00ed).<sup>[5]<\/sup> <\/p>\n<p class=\"p1\">These contexts help frame a reading, but they should not substitute for it. Separate a documented office, a collected-text title and an interpretation of a particular speaker: they are different kinds of information.<\/p>\n<h2>Three Lyrics to Read Whole<\/h2>\n<p class=\"p1\">The English labels below identify the works rather than prescribe a translator\u2019s wording. The extended Chinese titles prevent a tune name shared by many poems from becoming an ambiguous search term.<\/p>\n<div style=\"overflow-x:auto;max-width:100%;max-height:800px\">\n<table>\n<thead>\n<tr><th>Identified lyric<\/th><th>First question<\/th><\/tr>\n<\/thead>\n<tbody>\n<tr><td>Endless Longing, beginning Mountains, one stage (\u957f\u76f8\u601d\u00b7\u5c71\u4e00\u7a0b, Ch\u00e1ng Xi\u0101ngs\u012b \u00b7 Sh\u0101n Y\u012b Ch\u00e9ng)<\/td><td>How does a journey\u2019s repetition become an unwelcome night sound?<sup>[3]<\/sup> <\/td><\/tr>\n<tr><td>Magnolia Lyric: Imitating an Old Song of Parting (\u6728\u5170\u82b1\u4ee4\u00b7\u62df\u53e4\u51b3\u7edd\u8bcd, M\u00f9l\u00e1n Hu\u0101 L\u00ecng \u00b7 N\u01d0 G\u01d4 Ju\u00e9ju\u00e9 C\u00ed)<\/td><td>How does remembered first attachment become an accusation of change?<sup>[4]<\/sup> <\/td><\/tr>\n<tr><td>Sands of the Washing Stream, beginning Who remembers (\u6d63\u6eaa\u6c99\u00b7\u8c01\u5ff5\u897f\u98ce\u72ec\u81ea\u51c9, Hu\u00e0n X\u012b Sh\u0101 \u00b7 Sh\u00e9i Ni\u00e0n X\u012bf\u0113ng D\u00faz\u00ec Li\u00e1ng)<\/td><td>What does the final judgment change about remembered ordinary life?<sup>[5]<\/sup> <\/td><\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<h2>How Memory Works Beyond a Quoted Line<\/h2>\n<p class=\"p1\">The last lyric moves from cold solitude to remembered books and spilled tea, then revalues what once seemed ordinary.<sup>[5]<\/sup> <\/p>\n<p class=\"p1\">Try marking the words that belong to the present and those that turn toward the past. Then reread without pausing after the line you already know. Does the final statement confirm your first impression, or alter it? This exercise keeps an account of grief attached to the poem\u2019s structure rather than to an invented anecdote.<\/p>\n<p class=\"p1\">For the inherited form, the <a href=\"https:\/\/www.chinaculturepro.com\/song-ci-poetry\/\">Song ci guide<\/a> offers background. The name of that tradition does not restrict later writers to the Song period.<\/p>\n<h2>Locating English Translations<\/h2>\n<ul>\n<li><strong>For one short entrance:<\/strong> the Renditions index lists John Turner\u2019s Love-longing in A Golden Treasury of Chinese Poetry, pages 300\u2013301 in the Books edition and page 125 in the paperback.<sup>[6]<\/sup> <\/li>\n<li><strong>For a broader selection:<\/strong> the same index lists Eleven Ci translated by John C. H. Wu in Renditions, numbers 11 and 12, pages 252\u2013264.<sup>[6]<\/sup> <\/li>\n<\/ul>\n<p class=\"p1\">Use those references as finding aids. The two page systems for the Turner volume belong to different formats, not contradictory citations. Once you have a translation, match its opening with the Chinese text before comparing choices. The wider <a href=\"https:\/\/www.chinaculturepro.com\/chinese-poetry\/\">Chinese poetry guide<\/a> helps place this lyric tradition among other forms.<\/p>\n<h2>FAQs About Nalan Xingde<\/h2>\n<h3>Was Nalan Xingde a Song-dynasty poet?<\/h3>\n<p class=\"p1\">No. He lived in the Qing dynasty. Ci is a literary form with a longer history, not a date attached to every poem written in it.<sup>[1]<\/sup> <\/p>\n<h3>Do all his love lyrics describe his own marriage?<\/h3>\n<p class=\"p1\">The Magnolia subtitle announces imitation of an older parting-song mode. Its speaker needs interpretation, not automatic identification.<sup>[4]<\/sup> <\/p>\n<h3>Why can the same English tune title lead to different poems?<\/h3>\n<p class=\"p1\">A tune name is not necessarily a unique work title. Keep the author and opening words in your search and notes; a translation\u2019s wording can vary as well.<\/p>\n<h2>Sources<\/h2>\n<p class=\"p1\">[1] Chinese University of Hong Kong. <a target=\"_blank\" rel=\"noopener noreferrer\" href=\"https:\/\/www.cuhk.edu.hk\/rct\/renditions\/authors\/nalanxd.html\">Nalan Xingde<\/a><\/p>\n<p class=\"p1\">[2] Wu Boya, Palace Museum. <a target=\"_blank\" rel=\"noopener noreferrer\" href=\"https:\/\/www.dpm.org.cn\/explode\/others\/209535.html\">Nalan Xingde: historical context<\/a><\/p>\n<p class=\"p1\">[3] Nalan Xingde, Wikisource text. <a target=\"_blank\" rel=\"noopener noreferrer\" href=\"https:\/\/zh.wikisource.org\/wiki\/\u9577\u76f8\u601d_(\u7d0d\u862d\u6027\u5fb7)\">Endless Longing<\/a><\/p>\n<p class=\"p1\">[4] Nalan Xingde, Wikisource text. <a target=\"_blank\" rel=\"noopener noreferrer\" href=\"https:\/\/zh.wikisource.org\/wiki\/\u6728\u862d\u82b1\u4ee4_(\u7d0d\u862d\u6027\u5fb7)\">Magnolia Lyric: Imitating an Old Song of Parting<\/a><\/p>\n<p class=\"p1\">[5] Nalan Xingde, Wikisource text. <a target=\"_blank\" rel=\"noopener noreferrer\" href=\"https:\/\/zh.wikisource.org\/wiki\/\u6d63\u6eaa\u6c99_(\u8ab0\u5ff5\u897f\u98a8\u7368\u81ea\u6dbc)\">Sands of the Washing Stream<\/a><\/p>\n<p class=\"p1\">[6] Chinese University of Hong Kong. <a target=\"_blank\" rel=\"noopener noreferrer\" href=\"https:\/\/rct.cuhk.edu.hk\/renditions\/resources\/authors-translators-index\/\">Renditions Authors\/Translators Index<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Read Nalan Xingde through three identified lyrics, Qing court context and verified English translations, with care over tune titles and autobiographical 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