{"id":11616,"date":"2026-11-08T02:49:04","date_gmt":"2026-11-08T02:49:04","guid":{"rendered":"https:\/\/www.chinaculturepro.com\/?p=11616"},"modified":"2026-11-12T14:16:14","modified_gmt":"2026-11-12T14:16:14","slug":"birds-and-bamboos-in-the-rain-by-tang-yin","status":"publish","type":"post","link":"https:\/\/www.chinaculturepro.com\/ja\/birds-and-bamboos-in-the-rain-by-tang-yin\/","title":{"rendered":"Birds and Bamboos in the Rain by Tang Yin: A Guide"},"content":{"rendered":"\n<section class=\"tcjdi-quick-answer\"><h2>Quick Answer: Which Birds and Bamboos in the Rain Is This?<\/h2>\n<p class=\"p1\">Birds and Bamboos in the Rain (\u96e8\u7af9\u5c0f\u9e1f\u56fe, Y\u01d4 Zh\u00fa Xi\u01ceo Ni\u01ceo T\u00fa), by Tang Yin (\u5510\u5bc5, T\u00e1ng Y\u00edn), is a narrow hanging scroll in the Shanghai Chinese Painting Academy collection.<\/p>\n<ul>\n<li><strong>Material:<\/strong> Ink on paper.<\/li>\n<li><strong>Painted field:<\/strong> 86 \u00d7 33.5 cm.<\/li>\n<li><strong>Look first:<\/strong> Two small birds among sharply angled bamboo leaves.<\/li>\n<li><strong>Keep distinct:<\/strong> This vertical scroll and the artist\u2019s differently titled bamboo fan leaves.<\/li>\n<\/ul>\n<p class=\"p1\">Compare the birds\u2019 rounded bodies with the long, pointed leaves around them.<\/p><\/section>\n<figure class=\"tcjdi-infographic\" style=\"width:500px;max-width:100%;margin:24px auto;text-align:center\"><img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/www.chinaculturepro.com\/wp-content\/uploads\/2026\/11\/Birds-and-Bamboos-in-the-Rain-guide-to-birds-ink-weather-and-object-identity.webp\" alt=\"Birds and Bamboos in the Rain guide to birds ink weather and object identity\" title=\"Birds and Bamboos in the Rain guide to birds ink weather and object identity\" width=\"1440\" height=\"2560\" style=\"width:500px;max-width:100%;height:auto;margin:0 auto\" \/><figcaption>Birds and Bamboos in the Rain guide to birds ink weather and object identity<\/figcaption><\/figure>\n<p class=\"p1\">One bird perches near the center, on a branch extending across the picture. Another sits much lower, toward the left. Between them, dark leaves cut diagonally through a much paler field.<\/p>\n<p class=\"p1\">The title suggests weather, but the image does not depend on a dense curtain of painted raindrops. Changes in ink tone, leaf direction and the inscription give the viewer other ways to think about rain.<\/p>\n<h2>Identify the Shanghai Hanging Scroll<\/h2>\n<p class=\"p1\">The Academy\u2019s exhibition text lists this as a Ming dynasty work by Tang Yin, in ink on paper, measuring 86 \u00d7 33.5 cm. The exhibition caption names the birds and bamboo together. Its vertical format and two birds help identify it among similarly named works. <sup>[1]<\/sup> <\/p>\n<p class=\"p1\">The <a href=\"https:\/\/www.chinaculturepro.com\/chinese-scroll-painting-formats\/\">scroll-format guide<\/a> explains the difference between a hanging scroll and a fan leaf. Here, the tall, narrow field permits a large distance between the upper inscription and the lower bird.<\/p>\n<p class=\"p1\">Start with the whole composition. A crop of the central bird can conceal the lower bird; a crop of bamboo leaves can make the picture appear almost entirely botanical. The full field shows how their placements work together.<\/p>\n<p class=\"p1\">The <a href=\"https:\/\/www.chinaculturepro.com\/chinese-bird-flower-painting\/\">bird-and-flower painting guide<\/a> introduces the broader genre. This example concentrates on a few subjects rather than filling the setting with many species or a detailed landscape background.<\/p>\n<h2>Compare Two Birds with the Bamboo Around Them<\/h2>\n<p class=\"p1\">The central bird has a compact body, a small visible eye and a long tail descending below its perch. Its rounded outline contrasts with the pointed leaves extending near and beneath it. Much of the space immediately around its head remains quiet.<\/p>\n<p class=\"p1\">The lower bird occupies a different situation. It sits near the end of a thinner branch, with pale foliage nearby. Compare the pale branches around the lower bird with the heavier dark perch near the center.<\/p>\n<p class=\"p1\">Follow the dark branch beneath the upper bird. It bends across the picture before meeting other stems and clusters of leaves. The long stems direct the eye across the field; the smaller birds interrupt those lines with rounded shapes.<\/p>\n<p class=\"p1\">Look at the strongest leaf shapes next. Some extend almost horizontally; others hang downward or cross at sharper angles. Their pointed ends create a more abrupt rhythm than the birds\u2019 curved backs.<\/p>\n<ul>\n<li><strong>Body:<\/strong> Compare a rounded bird with a narrow leaf blade.<\/li>\n<li><strong>Support:<\/strong> Trace the branch immediately beneath a bird\u2019s feet.<\/li>\n<li><strong>Interval:<\/strong> Find the clearest pale area around a head or tail.<\/li>\n<li><strong>Density:<\/strong> Compare the dark central foliage with the lower, lighter branches.<\/li>\n<\/ul>\n<p class=\"p1\">These comparisons make the composition readable before a species name or symbolic interpretation is introduced. The visible differences in shape and spacing already supply a substantial part of the image\u2019s effect.<\/p>\n<h2>Look for Rain through Ink and Inscription<\/h2>\n<p class=\"p1\">The Academy\u2019s exhibition preface places Tang Yin within a tradition that brought landscape brushwork into bird-and-flower painting, using familiar natural subjects to express feeling. That curatorial context helps explain why bamboo need not function only as a botanical specimen. <sup>[4]<\/sup> <\/p>\n<p class=\"p1\">In this scroll, compare the darkest leaves with the paler forms beneath them. A dark blade remains sharply legible, while a lighter one can seem to recede into the surrounding paper. Their overlap gives a small group of plants more than one visual layer.<\/p>\n<p class=\"p1\">The inscription\u2019s opening refers to light rain among bamboo. Read that textual cue alongside the dark, downward-pointing leaves and softer foliage. The painting can evoke damp weather without making every blank interval contain a visible falling drop.<\/p>\n<p class=\"p1\">The <a href=\"https:\/\/www.chinaculturepro.com\/chinese-painting-techniques\/\">techniques guide<\/a> explains differences in ink density and brush handling. Here, distinguish what the finished marks look like from claims about exactly how much water was in the brush or which stroke was made first. A reproduction alone does not establish those physical steps.<\/p>\n<p class=\"p1\">The <a href=\"https:\/\/www.chinaculturepro.com\/chinese-literati-painting\/\">literati-painting guide<\/a> develops the relation between brushwork, poetry and personal expression. An expressive image still does not prove a specific crisis in the painter\u2019s life. Start with the actual inscription before turning rain or bent leaves into a biographical confession.<\/p>\n<h2>Keep This Scroll Separate from Bamboo Fans<\/h2>\n<p class=\"p1\">Tang Yin\u2019s name is attached to several bamboo pictures. Bamboo in Rain (\u96e8\u7af9, Y\u01d4 Zh\u00fa), in the Palace Museum, is an ink fan leaf on gold paper, measuring 18 \u00d7 54.2 cm. Its curved format makes it a different object from this Shanghai hanging scroll. <sup>[2]<\/sup> <\/p>\n<p class=\"p1\">Another work, Bamboo in a Spring Thunderstorm (\u6625\u96f7\u58a8\u7af9\u56fe, Ch\u016bn L\u00e9i M\u00f2 Zh\u00fa T\u00fa), is catalogued by the Metropolitan Museum of Art as a seventeenth-century copy after Tang Yin. The museum rejects its inscribed 1522 date as spurious. That judgment concerns the Met fan, not the Shanghai scroll. <sup>[3]<\/sup> <\/p>\n<div style=\"overflow-x:auto;max-width:100%;max-height:800px\">\n<table>\n<thead>\n<tr><th>Work<\/th><th>Collection and format<\/th><th>Identification cue<\/th><\/tr>\n<\/thead>\n<tbody>\n<tr><td>Birds and Bamboos in the Rain<\/td><td>Shanghai Chinese Painting Academy; paper hanging scroll, 86 \u00d7 33.5 cm<\/td><td>Two birds within a narrow vertical field<\/td><\/tr>\n<tr><td>Bamboo in Rain<\/td><td>Palace Museum; gold-paper fan leaf, 18 \u00d7 54.2 cm<\/td><td>A separate, curved fan composition<\/td><\/tr>\n<tr><td>Bamboo in a Spring Thunderstorm<\/td><td>Metropolitan Museum of Art; gold-flecked-paper fan leaf, 17.3 \u00d7 49.8 cm<\/td><td>Seventeenth-century copy after Tang Yin<\/td><\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<p class=\"p1\">Use the collection, format and dimensions together when matching a reproduction to a record. Match each date, medium and attribution judgment to its own object record.<\/p>\n<p class=\"p1\">The <a href=\"https:\/\/www.chinaculturepro.com\/chinese-painting-inscriptions-seals\/\">inscriptions-and-seals guide<\/a> explains why writing must be assessed as part of an object\u2019s history. A date visible on one painting cannot establish the date of another similarly named work.<\/p>\n<h2>FAQs About Birds and Bamboos in the Rain<\/h2>\n<h3>Are there only two birds in this composition?<\/h3>\n<p class=\"p1\">Two birds are visible in the reproduced Shanghai scroll: one near the middle and one lower down. Check the complete field before counting from a crop.<\/p>\n<h3>Does the image show falling raindrops?<\/h3>\n<p class=\"p1\">The rain is evoked through the title, inscription and treatment of the bamboo. It does not require a clearly drawn shower across the entire picture.<\/p>\n<h3>Is an exact year of painting established here?<\/h3>\n<p class=\"p1\">The cited Academy object entry does not provide an exact execution year. Dates attached to separate bamboo fans should not be imported into this scroll\u2019s record.<\/p>\n<h2>Sources<\/h2>\n<p class=\"p1\">[1] Shanghai Chinese Painting Academy; exhibition text reproduced by \u827a\u672f\u4e0e\u7ed8\u753b. <a href=\"https:\/\/www.sohu.com\/a\/795975970_301394\" target=\"_blank\" rel=\"noopener noreferrer\">Red Sentiments and Green Thoughts: exhibition preface and Birds and Bamboo object entry (2024)<\/a><\/p>\n<p class=\"p1\">[2] Palace Museum. <a href=\"https:\/\/minghuaji.dpm.org.cn\/paint\/detail?id=37e8d3f343a543bdb988a65c15d2da3f\" target=\"_blank\" rel=\"noopener noreferrer\">Tang Yin: Bamboo in Rain, fan leaf<\/a><\/p>\n<p class=\"p1\">[3] Metropolitan Museum of Art. <a href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/44573\" target=\"_blank\" rel=\"noopener noreferrer\">Bamboo in a spring thunderstorm, after Tang Yin<\/a><\/p>\n<p class=\"p1\">[4] Shanghai Chinese Painting Academy. <a href=\"https:\/\/www.rmzxw.com.cn\/c\/2024-12-08\/3644713.shtml?n2m=1\" target=\"_blank\" rel=\"noopener noreferrer\">Red Sentiments and Green Thoughts: exhibition preface, in Huajie (2024), reproduced by People\u2019s CPPCC News<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Explore Tang Yin\u2019s Birds and Bamboos in the Rain: two small birds, dark leaves, pale ink and a poetic inscription. Keep this Shanghai scroll apart from fans.<\/p>","protected":false},"author":1,"featured_media":11617,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[389],"tags":[399,400,391],"class_list":["post-11616","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-crafts","tag-chinese-painting","tag-hub-chinese-painting","tag-material-culture"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO Pro 5.0.3 - aioseo.com -->\n\t<meta name=\"description\" content=\"Explore Tang Yin\u2019s Birds and Bamboos in the Rain: two small birds, dark leaves, pale ink and a poetic inscription. 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