{"id":15599,"date":"2026-11-11T03:41:45","date_gmt":"2026-11-11T03:41:45","guid":{"rendered":"https:\/\/www.chinaculturepro.com\/?p=15599"},"modified":"2026-11-11T03:41:45","modified_gmt":"2026-11-11T03:41:45","slug":"beijing-tuer-ye-figurines","status":"publish","type":"post","link":"https:\/\/www.chinaculturepro.com\/fr\/beijing-tuer-ye-figurines\/","title":{"rendered":"Beijing Tu&#8217;er Ye Figurines: Materials, Making and Living Traditions"},"content":{"rendered":"\n<section class=\"tcjdi-quick-answer\"><h2>Quick Answer: What Is a Beijing Tu\u2019er Ye Figurine?<\/h2>\n<p class=\"p1\">Tu\u2019er Ye (\u5154\u513f\u7237, t\u00f9r y\u00e9), or Lord Rabbit, is a painted clay figure with a rabbit\u2019s head and a human body. In Beijing the figure is closely associated with the Mid-Autumn Festival. It can wear armor or an ornate robe and may hold a pestle, an attribute of the rabbit in the moon. <sup>[1][2][4][7]<\/sup> <\/p>\n<ul>\n<li><strong>Material:<\/strong> A clay body carries painted clothing and facial details.<\/li>\n<li><strong>Season:<\/strong> The figurine appeared in Beijing\u2019s markets around Mid-Autumn.<\/li>\n<li><strong>Variation:<\/strong> Artists give it different outfits, mounts and seats. <sup>[1][4][5]<\/sup> <\/li>\n<\/ul>\n<p class=\"p1\">The ears and rabbit face help identify the figure. A tiger or another mount is a design choice. <sup>[1][2][4]<\/sup> <\/p><\/section>\n<figure class=\"tcjdi-infographic\" style=\"width:500px;max-width:100%;margin:24px auto;text-align:center\"><img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/www.chinaculturepro.com\/wp-content\/uploads\/2026\/11\/Beijing-Lord-Rabbit-figurine-clay-molding-painting-and-Mid-Autumn-customs-infographic.webp\" alt=\"Beijing Lord Rabbit figurine clay molding painting and Mid Autumn customs infographic\" title=\"Beijing Lord Rabbit figurine clay molding painting and Mid Autumn customs infographic\" width=\"1440\" height=\"2560\" style=\"width:500px;max-width:100%;height:auto;margin:0 auto\" \/><figcaption>The painted clay figure carries details from moon stories and Beijing Mid-Autumn customs.<\/figcaption><\/figure>\n<p class=\"p1\">The figure can look solemn even when it is only a few centimeters tall. Its upright ears and small mouth announce a rabbit, while armor, a robe or a seat suggest the human character the maker has given it.<\/p>\n<h2>Why Lord Rabbit Appears at Mid-Autumn<\/h2>\n<p class=\"p1\">In moon stories, the Jade Rabbit (\u7389\u5154, y\u00f9t\u00f9) pounds medicine with a pestle. The Beijing figurine gives this character a human body and a costume. The national heritage account also records a local legend about the rabbit coming down to help people during an epidemic. The story gives the pestle a local meaning. It recalls the moon rabbit\u2019s healing role and gives the figure a place in wishes for good health. <sup>[1][2][4]<\/sup> <\/p>\n<p class=\"p1\">Beijing\u2019s municipal heritage guide points to a late-Ming account by Ji Kun of children venerating painted clay rabbits at Mid-Autumn. The Palace Museum cites the later festival chronicle by Fucha Dunchong for the sale of clay figures in the city. The heritage account describes children playing with them after observances, showing how a single object could serve in both <a href=\"https:\/\/www.chinaculturepro.com\/mid-autumn-festival-traditions\/\">Mid-Autumn customs<\/a> and play. <sup>[1][2][4]<\/sup> <\/p>\n<h2>How Clay Takes Shape and Color<\/h2>\n<p class=\"p1\">A museum program at Prince Kung\u2019s Palace documented kneading the clay, forming it in a mold and letting it dry. Forming sets the figure\u2019s proportions. The painted face, border lines and costume colors then make the same basic shape read as a particular character. This places Tu\u2019er Ye within the wider tradition of <a href=\"https:\/\/www.chinaculturepro.com\/chinese-clay-figurines\/\">Chinese clay figurines<\/a>. <sup>[1][3]<\/sup> <\/p>\n<p class=\"p1\">The class taught brushing on a white ground and adding colors. The Palace Museum catalog describes this layered treatment on one of its own figures. A pale face with softly tinted cheeks can sit beside much stronger reds, greens or gold tones in the costume. At this scale, a fine line around a sleeve or a trace of red at the cheek can separate one part of the figure from the next. <sup>[2][3][5]<\/sup> <\/p>\n<h2>Reading Two Figurines in the Palace Museum<\/h2>\n<p class=\"p1\">One late-Qing example stands just 7.5 centimeters high. It sits on a model city wall with a camel at its side. The Palace Museum identifies it as part of the former imperial collection and notes that court examples were purchased outside the palace. Its collection history shows that a figure sold outside the court for a seasonal custom could also enter the palace. <sup>[4]<\/sup> <\/p>\n<p class=\"p1\">A second catalog entry describes a rabbit with a green headcloth, red robe and pestle, seated on a cluster of lotuses. The museum reads its costume and pose as an echo of Guan Gong. Its pestle points to the moon-rabbit story, while the costume borrows a different visual language. On one figure the architecture gives Lord Rabbit a commanding seat. On the other, dress and pose suggest a familiar hero. Both preserve the rabbit face. <sup>[4][5]<\/sup> <\/p>\n<h2>How the Craft Is Taught Today<\/h2>\n<p class=\"p1\">The Beijing Lord Rabbit entry from Chaoyang joined China\u2019s national intangible cultural heritage list in 2014 as an extension of the clay-sculpture category. The register identifies Shuang Yan (\u53cc\u5f66, Shu\u0101ng Y\u00e0n) as a representative practitioner. He learned painted clay sculpture from his father as a child and began taking apprentices in 2000. <sup>[1][6]<\/sup> <\/p>\n<p class=\"p1\">Museum teaching offers another way to encounter the craft. Prince Kung\u2019s Palace described a class in which students learned how the clay form was made and tried applying the white ground and paint. The 2018 museum class focused on handling materials and painting. Beijing\u2019s later heritage guide also describes studio-based teaching, another setting in which people encounter the figure as folk art. <sup>[1][2][3]<\/sup> <\/p>\n<h2>FAQs About Beijing Tu\u2019er Ye Figurines<\/h2>\n<h3>Is Tu\u2019er Ye the same as the Jade Rabbit?<\/h3>\n<p class=\"p1\">The Jade Rabbit is a character in stories about the moon. Tu\u2019er Ye is the Beijing festival figure made in human dress, often with the rabbit\u2019s medicine pestle. <sup>[1][2][4]<\/sup> <\/p>\n<h3>Does Lord Rabbit always ride a tiger?<\/h3>\n<p class=\"p1\">No. Examples may sit on a tiger, deer or other mount, and some have no animal mount. Museum objects include a figure on a city wall and another on lotuses. <sup>[1][4][5]<\/sup> <\/p>\n<h3>Are Tu\u2019er Ye figurines always toys?<\/h3>\n<p class=\"p1\">They have served as festival objects, children\u2019s toys and ornaments. Their role depends on how a household, maker or institution uses them. <sup>[1][2][3]<\/sup> <\/p>\n<h2>Sources<\/h2>\n<p class=\"p1\">[1] China Intangible Cultural Heritage Digital Museum. <a href=\"https:\/\/www.ihchina.cn\/Article\/Index\/detail?id=14052\" target=\"_blank\" rel=\"noopener noreferrer\">Clay Sculpture: Beijing Lord Rabbit<\/a><\/p>\n<p class=\"p1\">[2] Beijing Municipal Government. <a href=\"https:\/\/english.beijing.gov.cn\/latest\/news\/202512\/P020251203371727887894.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Heritage Renewed, Values Shared: Lord Rabbit Clay Figure<\/a><\/p>\n<p class=\"p1\">[3] Prince Kung\u2019s Palace Museum. <a href=\"https:\/\/www.pgm.org.cn\/pgm\/wfkt\/201809\/877dd1034f3e40a48e1aceb0cfe2d4fc.shtml\" target=\"_blank\" rel=\"noopener noreferrer\">Museum Class on Lord Rabbit Clay Figures<\/a><\/p>\n<p class=\"p1\">[4] The Palace Museum. <a href=\"https:\/\/www.dpm.org.cn\/collection\/sculpture\/233282.html\" target=\"_blank\" rel=\"noopener noreferrer\">Clay Lord Rabbit, Gu 00179933<\/a><\/p>\n<p class=\"p1\">[5] The Palace Museum. <a href=\"https:\/\/www.dpm.org.cn\/collection\/sculpture\/233287.html\" target=\"_blank\" rel=\"noopener noreferrer\">Clay Lord Rabbit, Green Headcloth and Red Robe<\/a><\/p>\n<p class=\"p1\">[6] China Intangible Cultural Heritage Digital Museum. <a href=\"https:\/\/www.ihchina.cn\/ccr_detail\/2876.html\" target=\"_blank\" rel=\"noopener noreferrer\">Representative Practitioner: Shuang Yan<\/a><\/p>\n<p class=\"p1\">[7] Taiwan Ministry of Education. <a href=\"https:\/\/dict.revised.moe.edu.tw\/dictView.jsp?ID=54505&amp;la=1&amp;powerMode=0\" target=\"_blank\" rel=\"noopener noreferrer\">Revised Mandarin Chinese Dictionary: Lord Rabbit<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Meet Beijing\u2019s Tu\u2019er Ye, the painted clay Lord Rabbit of Mid-Autumn, and learn how its costume, mounts and making connect festival customs with folk 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