{"id":12932,"date":"2026-11-09T01:38:27","date_gmt":"2026-11-09T01:38:27","guid":{"rendered":"https:\/\/www.chinaculturepro.com\/?p=12932"},"modified":"2026-11-12T14:17:16","modified_gmt":"2026-11-12T14:17:16","slug":"song-of-the-beautiful-ladies","status":"publish","type":"post","link":"https:\/\/www.chinaculturepro.com\/fr\/song-of-the-beautiful-ladies\/","title":{"rendered":"Song of the Beautiful Ladies: Du Fu\u2019s Poem and Satire"},"content":{"rendered":"\n<section class=\"tcjdi-quick-answer\"><h2>Quick Answer: What Is Song of the Beautiful Ladies About?<\/h2>\n<p class=\"p1\">Song of the Beautiful Ladies (\u9e97\u4eba\u884c, L\u00ecr\u00e9n X\u00edng) by Du Fu (\u675c\u752b, D\u00f9 F\u01d4) turns a display of aristocratic beauty and luxurious dining into a satire of the powerful Yang family.<\/p>\n<ul>\n<li><strong>Display:<\/strong> Clothing, ornaments and rare food first draw the eye toward elegance and expense.<\/li>\n<li><strong>Privilege:<\/strong> Palace kitchens and a crowded entourage reveal access to imperial resources.<\/li>\n<li><strong>Threat:<\/strong> The final warning exposes the intimidating authority behind the gathering.<\/li>\n<\/ul>\n<p class=\"p1\">The old-style poem makes the display of beauty serve a wider criticism of privilege. Its criticism becomes clearest when the lavish details are read against the last couplet.<sup>[1][2]<\/sup> <\/p><\/section>\n<figure class=\"tcjdi-infographic\" style=\"width:500px;max-width:100%;margin:24px auto;text-align:center\"><img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/www.chinaculturepro.com\/wp-content\/uploads\/2026\/11\/Song-of-the-Beautiful-Ladies-guide-to-lavish-display-privilege-and-political-satire.webp\" alt=\"Song of the Beautiful Ladies guide to lavish display privilege and political satire\" title=\"Song of the Beautiful Ladies guide to lavish display privilege and political satire\" width=\"1440\" height=\"2560\" style=\"width:500px;max-width:100%;height:auto;margin:0 auto\" \/><figcaption>Song of the Beautiful Ladies guide to lavish display privilege and political satire<\/figcaption><\/figure>\n<p class=\"p1\">The poem begins with an attractive spring outing and ends with a warning to keep away. Between those moments, embroidered clothes, precious dishes, palace deliveries and a leisurely arrival reveal the power supporting the spectacle. The ending changes how the opening looks.<\/p>\n<h2>The Complete Poem and an English Sense Translation<\/h2>\n<p class=\"p1\">The following presents the complete poem in thirteen paired reading groups. Two short questions interrupt the predominantly seven-character lines. The English is an original sense translation; the head-ornament line retains the received \u7fe0\u5fae\u3529\u8449 wording.<sup>[1]<\/sup> <\/p>\n<div style=\"overflow-x:auto;max-width:100%;max-height:800px\">\n<table>\n<thead>\n<tr><th>Chinese text<\/th><th>English sense translation<\/th><\/tr>\n<\/thead>\n<tbody>\n<tr><td>\u4e09\u6708\u4e09\u65e5\u5929\u6c23\u65b0\uff0c\u9577\u5b89\u6c34\u908a\u591a\u9e97\u4eba\u3002<\/td><td>On the third day of the third month, the air is fresh; many beautiful women gather by the waters of Chang\u2019an (\u9577\u5b89, Ch\u00e1ng\u2019\u0101n).<\/td><\/tr>\n<tr><td>\u614b\u6fc3\u610f\u9060\u6dd1\u4e14\u771e\uff0c\u808c\u7406\u7d30\u81a9\u9aa8\u8089\u52fb\u3002<\/td><td>Rich in bearing, distant in expression, gentle and natural; fine in skin and balanced in form.<\/td><\/tr>\n<tr><td>\u7e61\u7f85\u8863\u88f3\u7167\u66ae\u6625\uff0c\u8e59\u91d1\u5b54\u96c0\u9280\u9e92\u9e9f\u3002<\/td><td>Embroidered gauze clothes light up late spring: gold-thread peacocks and silver qilin (\u9e92\u9e9f, q\u00edl\u00edn).<\/td><\/tr>\n<tr><td>\u982d\u4e0a\u4f55\u6240\u6709\uff1f\u7fe0\u5fae\u3529\u8449\u5782\u9b22\u8123\u3002<\/td><td>What is on their heads? Blue-green leaf ornaments hang beside their temples.<\/td><\/tr>\n<tr><td>\u80cc\u5f8c\u4f55\u6240\u898b\uff1f\u73e0\u58d3\u8170\u8871\u7a69\u7a31\u8eab\u3002<\/td><td>What can be seen behind them? Pearls weight the waist fastening, fitting the garment to the body.<\/td><\/tr>\n<tr><td>\u5c31\u4e2d\u96f2\u5e55\u6912\u623f\u89aa\uff0c\u8cdc\u540d\u5927\u570b\u8662\u8207\u79e6\u3002<\/td><td>Among the cloudy curtains are the imperial consort\u2019s kin, granted the grand titles Lady of Guo (\u8662\u570b\u592b\u4eba, Gu\u00f3gu\u00f3 F\u016br\u00e9n) and Lady of Qin (\u79e6\u570b\u592b\u4eba, Q\u00edngu\u00f3 F\u016br\u00e9n).<\/td><\/tr>\n<tr><td>\u7d2b\u99dd\u4e4b\u5cf0\u51fa\u7fe0\u91dc\uff0c\u6c34\u7cbe\u4e4b\u76e4\u884c\u7d20\u9c57\u3002<\/td><td>Camel hump comes from green cauldrons; crystal plates carry pale fish.<\/td><\/tr>\n<tr><td>\u7280\u7bb8\u995c\u98eb\u4e45\u672a\u4e0b\uff0c\u947e\u5200\u7e37\u5207\u7a7a\u7d1b\u7db8\u3002<\/td><td>Sated diners leave their rhinoceros-horn chopsticks unused; the carving knives busily slice fine, in vain.<\/td><\/tr>\n<tr><td>\u9ec3\u9580\u98db\u979a\u4e0d\u52d5\u5875\uff0c\u5fa1\u5eda\u7d61\u7e79\u9001\u516b\u73cd\u3002<\/td><td>Palace attendants speed on horseback without raising dust; imperial kitchens send delicacies in an unending stream.<\/td><\/tr>\n<tr><td>\u7c2b\u9f13\u54c0\u541f\u611f\u9b3c\u795e\uff0c\u8cd3\u5f9e\u96dc\u905d\u5be6\u8981\u6d25\u3002<\/td><td>Pipes and drums sound plaintively enough to move spirits; guests and followers crowd the place of influence.<\/td><\/tr>\n<tr><td>\u5f8c\u4f86\u978d\u99ac\u4f55\u9021\u5de1\uff0c\u7576\u8ed2\u4e0b\u99ac\u5165\u9326\u8335\u3002<\/td><td>How slowly the later rider approaches! He dismounts before the entrance and steps onto brocade carpeting.<\/td><\/tr>\n<tr><td>\u694a\u82b1\u96ea\u843d\u8986\u767d\u860b\uff0c\u9752\u9ce5\u98db\u53bb\u929c\u7d05\u5dfe\u3002<\/td><td>Willow down falls like snow upon white water plants; a blue-green bird flies off carrying a red kerchief.<\/td><\/tr>\n<tr><td>\u7099\u624b\u53ef\u71b1\u52e2\u7d55\u502b\uff0c\u613c\u83ab\u8fd1\u524d\u4e1e\u76f8\u55d4\u3002<\/td><td>Power hot enough to scorch the hand, beyond all peers: take care not to approach and anger the chief minister.<\/td><\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<p class=\"p1\">The qilin are embroidered motifs, not animals attending the banquet. The <a href=\"https:\/\/www.chinaculturepro.com\/qilin-meaning\/\">qilin symbolism guide<\/a> explains the creature beyond this use as costly decoration. \u201cEight delicacies\u201d signals prized food; the poem does not supply a menu of eight named dishes.<sup>[1]<\/sup> <\/p>\n<h2>The Spring Outing and the Yang Family<\/h2>\n<p class=\"p1\">The opening date belongs to the traditional calendar. The <a href=\"https:\/\/www.chinaculturepro.com\/shangsi-festival\/\">Shangsi Festival<\/a> (\u4e0a\u5df3\u7bc0, Sh\u00e0ngs\u00ec Ji\u00e9) became associated with the third day of the third month and spring gatherings by water. It should not be translated as March 3.<sup>[4]<\/sup> <\/p>\n<p class=\"p1\">The poem is generally dated to 753 and associated with the waterside outing at Qujiang (\u66f2\u6c5f, Q\u016bji\u0101ng), near the Tang capital. The titled women are sisters of the favored imperial consort <a href=\"https:\/\/www.chinaculturepro.com\/yang-guifei\/\">Yang Guifei<\/a> (\u694a\u8cb4\u5983, Y\u00e1ng Gu\u00ecf\u0113i). The chief minister is Yang Guozhong (\u694a\u570b\u5fe0, Y\u00e1ng Gu\u00f3zh\u014dng), their cousin.<sup>[3]<\/sup> <\/p>\n<p class=\"p1\">Those relationships explain why the poem can move from a crowd of women to royal kitchens and finally to a minister. The <a href=\"https:\/\/www.chinaculturepro.com\/du-fu\/\">Du Fu guide<\/a> places the work within his wider engagement with society and political life.<\/p>\n<h2>When Elegant Description Becomes Criticism<\/h2>\n<p class=\"p1\">The questions about head and back make the reader inspect the display piece by piece. Gold and silver patterns, colored ornaments and pearls invite sustained looking. Their accumulation matters more than an isolated decorative detail.<sup>[1]<\/sup> <\/p>\n<p class=\"p1\">The scene then becomes costly activity. Cooks slice, attendants ride and more food arrives, although the diners have already had enough. \u201cIn vain\u201d makes the imbalance pointed: considerable work continues around people who scarcely need what it produces.<\/p>\n<p class=\"p1\">The stream of deliveries comes from the imperial kitchens. The poem thereby connects a private-looking outing with royal provision. Its satire gains force through these concrete relationships rather than a general claim that beauty or expensive clothing is inherently wrong.<sup>[1]<\/sup> <\/p>\n<h2>The Late Rider and the Warning About Power<\/h2>\n<p class=\"p1\">The unhurried arrival contrasts with the haste of those delivering food. One figure can move slowly because so much activity already serves the gathering. The brocade carpet receives him as the poem shifts toward the person whose anger others must avoid.<sup>[1]<\/sup> <\/p>\n<p class=\"p1\">The willow down and kerchief-carrying bird have often been read as suggestive allusions to the Yang family\u2019s private relations. Such readings belong to the poem\u2019s satirical interpretation; these lines should not be presented as independent proof of a specific sexual scandal.<sup>[3]<\/sup> <\/p>\n<p class=\"p1\">The ending makes power physically imaginable as heat. Zhishou kere (\u7099\u624b\u53ef\u71b1, zh\u00ecsh\u01d2u k\u011br\u00e8), \u201chot enough to scorch the hand,\u201d here carries danger, reinforced by the warning about the minister\u2019s anger. An attractive public spectacle has become an intimidating space.<sup>[1]<\/sup> <\/p>\n<p class=\"p1\">Read backward from that warning: the lavish display depends on a power that discourages approach. The final two lines reframe the earlier spectacle.<\/p>\n<h2>How to Read the Satire Beneath the Display<\/h2>\n<ol>\n<li><strong>Follow the gaze:<\/strong> Move from the whole waterside scene to particular clothes and ornaments.<\/li>\n<li><strong>Watch who works:<\/strong> Compare the cooks and rushing attendants with diners who are already full.<\/li>\n<li><strong>Notice unequal movement:<\/strong> Set the late rider\u2019s leisure against the haste surrounding him.<\/li>\n<li><strong>Reread from the warning:<\/strong> Let the minister\u2019s threatening power alter the meaning of the opening beauty.<\/li>\n<\/ol>\n<h2>FAQs About Song of the Beautiful Ladies<\/h2>\n<h3>Is Yang Guifei explicitly named in the poem?<\/h3>\n<p class=\"p1\">No. The poem refers to the imperial consort\u2019s relatives and gives the titles Guo and Qin. Identifying the family draws on historical context.<sup>[1][3]<\/sup> <\/p>\n<h3>Does the poem give a recipe or an exact banquet menu?<\/h3>\n<p class=\"p1\">No. Camel hump, fish and costly utensils characterize luxury. The reference to prized delicacies does not enumerate every dish or explain how to cook them.<sup>[1]<\/sup> <\/p>\n<h3>Does the last couplet praise a popular minister?<\/h3>\n<p class=\"p1\">Its heat image and warning about anger make the authority threatening. Reading the ending as a cheerful compliment would miss the satire established by the surrounding excess.<sup>[1][2]<\/sup> <\/p>\n<h2>Sources<\/h2>\n<p class=\"p1\">[1] Du Fu; Chinese Wikisource. <a href=\"https:\/\/zh.wikisource.org\/zh-hant\/\u9e97\u4eba\u884c\" target=\"_blank\" rel=\"noopener noreferrer\">Liren Xing<\/a><\/p>\n<p class=\"p1\">[2] Taiwan Ministry of Education. <a href=\"https:\/\/dict.revised.moe.edu.tw\/dictView.jsp?ID=62780&amp;la=0&amp;powerMode=0\" target=\"_blank\" rel=\"noopener noreferrer\">Revised Mandarin Dictionary: Liren Xing<\/a><\/p>\n<p class=\"p1\">[3] University of Geneva, Po\u00e9sie Tang. <a href=\"https:\/\/poesie-tang.unige.ch\/800-po\u00e8mes\/Du-Fu\/Du-Fu,-Li-ren-xing\" target=\"_blank\" rel=\"noopener noreferrer\">Du Fu: Li Ren Xing, Text and Commentary<\/a><\/p>\n<p class=\"p1\">[4] Taiwan Ministry of Education. <a href=\"https:\/\/dict.revised.moe.edu.tw\/dictView.jsp?ID=132165&amp;la=0&amp;powerMode=0\" target=\"_blank\" rel=\"noopener noreferrer\">Revised Mandarin Dictionary: Shangsi<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Read Du Fu\u2019s Song of the Beautiful Ladies with full Chinese text and English meaning, tracing rich clothes, lavish food and the warning about political power.<\/p>","protected":false},"author":1,"featured_media":12933,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[414],"tags":[452,453,430],"class_list":["post-12932","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-literature-stories","tag-chinese-poetry","tag-hub-chinese-poetry","tag-literary-traditions"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO Pro 5.0.3 - aioseo.com -->\n\t<meta name=\"description\" content=\"Read Du Fu\u2019s Song of the Beautiful Ladies with full Chinese text and English meaning, tracing rich clothes, lavish food and the warning about political power.\" 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